Pitchfork
Reviews
The Wow! Signal
Muse
The band’s 10th album makes a return to gargantuan, ambivalent, overleveraged Muse form.
Harmony
Brutalismus 3000
The Berlin duo’s second album, co-produced with Boys Noize and Dylan Brady, adds pop appeal and B-movie drama to twitchy hardstyle techno that’s dystopian but not humorless.
Potpourri
Debit
After recent forays into darkly psychedelic drone music, the Mexican American producer returns to the dancefloor with an album that fuses techno and guaracha into a throbbing polyrhythmic juggernaut.
Erring
$quib
On the New Jersey artist’s debut album, a steady stream of screwball ideas coalesce into unexpectedly existential laptop twee gems.
Spontaneous Music Live
SML
Best New Album
The L.A. improv quintet made its first two LPs by remixing key moments from its gigs; now, on a pair of astonishing unedited live takes, the group proves that performance is the heart of its music.
More Reviews
Tranquilizer
Oneohtrix Point NeverBest New AlbumDrawing on a cache of commercial sample CDs, Daniel Lopatin assembles an impossibly dense and transportive electronic album that takes impermanence as its inspiration.
West End Girl
Lily AllenWith an album that doubles as an insider’s account of a tabloid divorce, the singer finds a new evolution of her signature style: Lightness isn’t a foil for irony, but a vehicle for hurt.
Repulsor
ShlohmoThe L.A. beatmaker turns aggressive on his fourth album—dialing up the distortion, flooding his beats with overdriven synths, and pushing anxious moods into the red.
More From Pitchfork
Features
Sunday Reviews
Celebrity Skin
HoleEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at Hole’s third album, Hollywood in the late 1990s, and the redemption of Courtney Love.
First Floor
Theo ParrishEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the 1998 debut album from a Chicago-born DJ-producer who heard in house music the spirit of rebellion.
Filles de Kilimanjaro
Miles DavisEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the first real glimpse of electric Miles and the swan song of his brilliant Second Great Quintet.
New York Tendaberry
Laura NyroEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the New York songwriter’s third LP, an album so painterly and poetic that it formed its own self-contained world.
MTV Unplugged
10,000 ManiacsEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the alt-rock band’s 1993 acoustic set, a swan song for the sensitive bohemians—and the biggest hit they’d ever release.
Caravanserai
SantanaEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at Santana’s transitional fourth album, a transcendental convergence of rock, psych, and Afro-Cuban styles that absolutely rips.
Fanny Hill
FannyEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the 1972 album from Fanny, a real rock spectacle laced with tenderness, sisterhood, and impeccable riffs that just never got its due.
Book of Love
Book of LoveEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the beguiling debut album from a quartet of art-school students who brought a slyly subversive touch to club-friendly new wave.
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